The Division is a game that needs no introduction considering how popular it is and how many sales records it has broken. It seems like just yesterday that I was picking my jaw up off the ground following Ubisoft’s gameplay reveal at E3 2013 . Seeing the agent avoid the bullet-stricken NYPD car window and close the car door on his way to safer cover was just one of those “wow” moments. Played on PC (with a controller), here are my thoughts on usability and the overall experience:

Usability:

 A-B-C, easy as 1-2-3? 

Many games (e.g. Gears of War) have used a very similar third-person-shooter cover system to the one utilized in The Division. Typically, “A” is used to get into cover, as well as to move around and over. In The Division, using the reticle, the player can look where he wants to run into cover and “A” can be seen popping onto the screen for every spot the player can use. As a game with a lot going on on the screen at any one time, both UI- and notification-wise, the “A” popping up everywhere can easily misdirect the player’s attention elsewhere on the screen, perhaps thinking it is loot or that a mission-oriented task needs to be performed. Thankfully, this feature can be disabled in the settings menu.

The main difference in this cover system compared to other third-person shooter cover mechanics is that, to go over an object or climb up/down something, “B” is used. See the screenshot below.

However, there are some inconsistencies with this system, primarily with dropping down from something. Sometimes, pressing B is required to drop down, whereas other times simply moving your character in the direction you want to drop suffices. It is never made clear when to press B versus not other than “B” appearing on the screen. If you’re high enough, there is an indicator along with the B that notifies you that you’ll lose some health from the fall. Is the necessity to press B versus not dependent on height? Unclear.

Another inconsistency with this system can be seen in the screenshot above. Additional arrow indicators can send mixed signals to players, which could lead to some confusion. It is pretty clear that the B here informs the player how to climb to the top of the truck; however, does the A indicate that the player can take cover against the window or drop down from the truck? This is a system that took a few minutes to practice, since it essentially complicated an already established simplistic system of using one button to perform multiple cover- and traversal-related actions. While it’s possible that Ubisoft implemented this to appeal to an audience that doesn’t have a lot of experience with third-person cover systems, the constant visual cues makes the player wonder if a “less is more” approach would have been more beneficial here. Again, once the subtleties of this system are controlled, it can be helpful to to turn the cues off.

Poorly-timed explanations or just none at all

As mentioned, The Division can have a lot happening on the screen at any given moment and, although there is a fairly lengthy prologue that covers the majority of the tutorials and essential info, there are explanations for some aspects of the game that are either awkwardly timed or nonexistent. There are numerous occasions where an informative pop up was presented on screen, either explaining a basic gameplay mechanic or feature. For example, after completing the prologue Precinct Siege mission (and sprinting a multitude of times throughout), the player is informed how to make his agent sprint. Another example came after the second story mission where the player is tasked with rescuing Dr. Kandel; here, your agent’s primary attributes (i.e., stamina, firearms, and electronics) were explained. Knowledge of these attributes is essential to proper character building and presenting its tutorial at an ill-advised time does not provide it the attention it needs; players might deem it immediately irrelevant to them and quickly dismiss it.

While awkwardly-timed tutorials can throw a wrench in the experience, not explaining important features can be far worse. One feature that is never fully explained are your agent’s skills, which are a very important aspect of gameplay, primarily how they compliment each other and are especially important later in the game against stronger enemies. The first indicator of skills is a notification that the player has a skill that is not assigned. However, there was no explanation of what these skills are, how they’re unlocked/achieved, or how to assign them.

Other features that were never explained include emotes and status effects. What is the point of emotes, why use them, and HOW are they used? Down on the d-pad is designated to numerous emotes, all of which can serve different purposes, such as helping communicate with team members or getting your agent some exercise (as if running around NYC wasn’t enough). There are visual indicators for status effects (i.e., bleed, burn, disoriented, blind-deaf, shock, and disrupt), however, their actual effect on gameplay is never clarified.

Missing loot

Briefly, the loot system is categorized into five different rarities: worn (white), standard (green), specialized (blue), superior (purple), and high-end (yellow). Loot dropped by enemies is signified by a sky-high beacon the color of the item’s rarity. However, being that the main ambiance of The Division is a snowy/smoky, post-apocalyptic NYC, it can be incredibly difficult to notice worn items, which include ammo, med kits, and some weapons to name a few, against the daytime and snowy sky. This issue is non-existent with the other rarities, simply because the contrast is much greater between those colors and the game environment.

Appeals/opinions

Features that enhance the experience

While The Division has some usability issues, it also contains some subtle features that help streamline tasks, such as navigating the menu, and improve the overall experience. One such feature is that, when visiting vendors, the game doesn’t give you the option to (accidentally) sell equipped guns/gear. With what seems to be a never-ending backpack full of loot, it is quite useful to not have to memorize everything you have equipped in order to not accidentally sell it. Anyone who has ever played an RPG has experienced that immediate sense of regret (quickly, reload last save!). Additionally, while navigating the world, the option to override the current object with a quest that is close in proximity by simply holding X is a nice way to change objectives on the fly and allows for better real-time “city randomness.”

Immersion – “open-world” as an umbrella term

As a huge fan of open-world RPGs, once the tutorial/prologue is completed and I’m unleashed into the open world, my first matter of business is randomly exploring in order to further immerse myself in the game world and experience this “randomness.” However, during my exploration of the first Manhattan district, there was an underwhelming amount of random loot and not nearly as much as one would expect from an “open-world” game. Additionally, sick citizens, requesting aid in the form of a med kit or can of soda, and groups of enemies were encountered. The sick citizens would drop loot, almost always in the form of clothing or a worn gun, whereas we can all deduce how the encounters with enemies concluded. Upon exploration of subsequent districts, it was the same scenario – a lack of random loot, some sick citizens and groups of enemies. This, for lack of a better word, “static” environment, filled with what seemed to be copy and pasted “random” events made NYC seem lifeless. I’m aware that this is post-apocalyptic NYC, and perhaps game series like Elder Scrolls, Fallout, and The Witcher have set the bar too high, or in a different direction altogether, but this hindered immersion. Even post-apocalyptic NYC would, arguably, have more life than most places pre-apocalypse. No curiosity or sense of wonder is induced by the world of The Division because what was around the next corner and “random” events were all completely predictable and, ultimately, curiosity was never rewarded.

Lastly, let’s address the elephant in the room – graphically, it’s a beautiful game. While it might not have met the unworldly expectations set for itself during E3 2013 reveal, it has some of the best lighting and snow effects I have ever seen in a game. NYC looks great and, graphically, it is definitely a sight to see.

Final thoughts

I’m currently level 22 and have enjoyed the majority of my time with The Division. It is a game that does some things nicely, such as its RPG elements and shooting/combat mechanics. However, it is difficult to describe it as anything more than a blend of mechanics from older games of different genres and, unfortunately, these games typically execute said mechanics in a superior fashion. The Division, simply put, seems like an overly-ambitious game that spread itself too thin in order to appeal to a broad audience. You can’t revolutionize something without evolving an existing thing, which is where The Division ultimately falls short of its potential.

Guardians of Orion is an Early Access Steam game where the player controls a class-based Guardian and fights against dinosaurs and robots either alone or in multiplayer modes. Guardians of Orion’s primary issue is its lack of explanation with some UI elements and basic gameplay.

Tutorial?

Under the gameplay tab in the settings menu, there is an option to enable/disable the tutorial, which is enabled by default; however, no tutorial is present during either single- or multiplayer modes. Perhaps this is a feature that they are planning to incorporate, but haven’t yet? It seems like something that should be present from the beginning if its absence results in basic usability issues.

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To control or not to control?

One usability issue in Guardians of Orion is based around how to control the game. Personally, I enjoy using controllers when playing PC games; however, it is not typically my initial guess that a PC game would base its usability on using a controller. This is the case in Guardians of Orion and it is never made obvious to the player, especially at first. Unless, of course, you’re perceptive enough to immediately take the only loading screen in the game as a gameplay hint…

More evidence for design geared toward using a controller is present during actual gameplay. My first playthrough was with a mouse and keyboard and I was unable to figure out some of the controls, including some of the mechanics in the bottom-left-hand pane of the interface:

Instead of fumbling through the main menu and attempting to memorize the keyboard controls, I decided to attempt my next playthrough with a controller. Here is the bottom-left-hand pane of the interface when playing with a controller:

To say the least, I performed much better during my second go. Nonetheless, the player should not have to fall flat on his face to figure out basic gameplay mechanics and usability. A fix for this would be consistency across controller types – incorporate the respective buttons for keyboard controls in the pane.

Low health-induced change blindness

Like many games, Guardians of Orion makes gameplay increasingly difficult as the player’s health diminishes. At a certain level of health, the glass in the player’s mask begins to break and worsens with diminishing health, resulting in clear cracks and ripples across the screen. Inherently, this is not an issue. However, a couple of the maps in Guardians of Orion (e.g. Goo-Summit and Goo-Whiteout) are full of snow, ice, and mountainous terrain that produces a light blue/whitish screen. Together, these result in a form of change blindness, primarily when the player is traversing/trying to evade enemies and prevent death. There were numerous times where the map terrain was confused for cracks in the player’s mask, which resulted in the player rolling directly into the terrain, immediately stopping movement, and dying instantly.

Final thoughts

Guardians of Orion is a fun game with lots of RPG elements that is even better with more people. Hopefully Trek Industries continues to work on the game; if they do, perhaps I’ll revisit this post in the future with updates! Until next time!

Recently, I have had a strong urge to revisit Magic: The Gathering. I played almost every day in high school, dabbled in college, and ultimately got sucked into Magic Online in 2009. Since then, however, I gradually parted ways with Magic and was now curious to see where the digital state of Magic currently resides. So, I downloaded Magic Duels from Steam (free to play, released July, 2015) and Magic 2015 for android (free, released July, 2014; however, the PC version is $9.99). Although I have not played the PC version, I included the price for comparison’s sake because the features I will be discussing are similar in both versions.

   VERSUS   

Tutorials/skill quests in Magic Duels

Both games have intuitive and comprehensive tutorials at the beginning, which is entirely understandable because Magic can be an incredibly complex and strategic game.

However, there is one usability issue worth noting in Magic Duels; there are skill quests that arise during certain scenarios during tutorial duels, which present themselves as pop ups in the middle of the duel. There are many different skill quests and each pop up contains information regarding what can be learned by completing it. There is the option to “X” out of the skill quest, indicating that it is optional; however, it is never clarified if the player can resume the duel in progress if the skill quest is pursued. Additionally, it is never stated if the player will have the option to complete the skill quest in the future if the skill quest is not completed at that moment (after some time searching through the menus, the skill quests can indeed be played at any time). With that being said, it took a few moments to weigh all of these possible scenarios when I encountered the first skill quest. Ultimately, I proceeded with the quest and, fortunately, was able to resume the duel in progress. It would have been a much more streamlined process if there was information of this presented prior to this decision being made. On the other hand, there are no such skill quests in Magic 2015, so this issue is avoided altogether.

User interface differences

In addition to some differences in available quests, there are also significant interface differences in Magic Duels and Magic 2015.

Magic Duels offers helpful visual cues, which direct your attention to the relevant portion of the game board at that moment; this is a helpful feature because, as previously mentioned, Magic can get complicated, and is a series seemingly seeking to broaden its reach to new players, as evidenced, primarily, by its user-friendly tutorial system. Examples of these cues include the borders of playable cards being lit up, indicating that they are playable at that specific moment, as well as flashes to avatars when damage is dealt. Also, there is an eye-level bar in the middle of the screen (see picture below) which incorporates both visual and verbal cues to the player, indicating whose turn it is, as well as what the current phase is. Also, this can be extremely helpful to newer players since the phases can be completed very quickly, making it easy to lose track.

In Magic 2015, there is a different UI that indicates player turn and phase. There are small diamonds next to each player’s avatar, which light up during specific phases, as well as a mini loading-bar style indicator and verbal cue. Again, with how quickly the game of Magic can move, this much-more subtle system can make it harder to track player turn and phase, which is critical information to be aware of.

Card collection UI 

Adding new cards to your collection and assembling new decks are probably two of, if not the, most fun aspects of Magic. If you aren’t working with a physical deck of cards and don’t have the freedom to follow your own strategy, it is imperative that the interface to arrange digital cards be intuitive and user-friendly.

Magic 2015 has a slick UI for card collection. On the top of the screen, there is a minimizable box with numerous filtering options. As one can imagine, an avid Magic player can build quite the collection of cards. The amount and variety of cards demands an abundance of options in order to sort through your collection and find what you’re looking for efficiently. Magic 2015 allows you to sort by card type, rarity, cost, and color. Card type is represented by rectangular boxes, while card rarity, cost, and color are represented by diamonds. When considering this UI menu in terms of Gestalt principles of perception, the representation of card by rectangular boxes adheres nicely to the law of similarity. However, upon first glance of card rarity, cost, and color, it can be a bit difficult to differentiate where each category begins and ends because they are all represented as diamonds (see picture below). Ideally, these three categories would be represented by different shapes. However, the addition of relevant symbols within the diamonds as well as the categorical text above them certainly helps resolve this issue. These symbols and text ultimately help the organization of the card rarity, cost, and color categories, but additional space between the three would be beneficial to see them as three separate entities (and to abide by the law of proximity) rather than one long snake-like row of diamonds, ultimately making it much more effortless to comprehend, especially for new players who might not know what the symbols inside the diamonds represent.

Magic Duels does not offer the same options when it comes to filtering options in the card collection. While Magic 2015 presents everything on the screen at once, Magic Duels presents an overlay with minimal filtering options (see picture below). Card color and set are the only options available for filtering, with no way to search for by card type, cost, or rarity. Additionally, to submit filtering options from this screen, you have to press the “X” in the top right hand corner, which many players might associate with “exit” and not necessarily “save and exit.” This lack of options makes sorting through your collection an absolute chore.

Deck builder UI

Similar to the card collection menu in Magic 2015, the deck builder contains a minimizable box that contains pertinent information such as the breakdown of spells in your deck, color distribution, mana curve, and ratings on important traits of your deck such as speed, strength, control, and synergy. This is all available without fumbling through any additional menus, whereas, in Magic Duels, the deck builder only provides information on the color of the cards in your deck and a breakdown by mana cost. For any other information you might want to know about the deck you just built, such as speed, strength, control, and synergy, you have to go back to the main menu for the deck builder. The have-it-all-accessible-on-one-screen layout of Magic 2015 made building a deck a pleasure compared to Magic Duels, where most time seems to be spent cycling through menu screens.

Conclusion

Gameplay-wise, there seems to be a significant pay-to-play philosophy inherent in Magic 2015 because you can only play the tutorial as well as a few single-player campaign matches, whereas everything else you have to pay for. In contrast, Magic Duels has significantly more to do without forking over real money; however, it leaves much to be desired in terms of usability, whereas Magic 2015 has, for the most part, slick, intuitive UI with no shortage of filtering options within its menus. While I realize the experience of the UI in Magic 2015 might be more intuitive on mobile (where I played it) compared to PC, and some might consider this comparing apples to oranges, usability features and design should be catered to the format in which it is going to be played. Ultimately, if the UI for Magic 2015 isn’t nearly as functional/intuitive on PC as it is on mobile, that is a major oversight on the developer’s part, and not all usability/UI features should just be ported.

With that being said, let me remind you that Magic Duels was released a year after Magic 2015, so the UI layout of Magic 2015 has been around and is not new to the digital world of Magic. If the UI of Magic 2015 is indeed not as functional/intuitive on PC as it is on mobile, especially since both games are by Stainless Games, why couldn’t a better system (intuitive for PC use), incorporating some of the positive elements of Magic 2015’s UI, such as the card collection and deck builder menus (or something similar), have been implemented into Magic Duels? Is it because it is a free-to-play game and therefore certain features, like intuitive usability, get overlooked? Or, is it because developers need to start taking usability/user experience more seriously? More attention allotted to the usability of fundamental aspects of Magic: The Gathering, such as building decks and collecting cards, would have made Magic Duels a more complete experience and, ultimately, a progression in the right direction for the series rather than stagnation.

Dying Light was easily one of my favorite games of 2015. With the new DLC, The Following, and the Enhanced Edition recently being released, I figured it was the perfect time to dive back into Harran. Now about 10 hours in, I figured I would share The Following (sorry, I had to) initial thoughts on usability and user experience.

HUD appears when relevant

This is a nice feature that doesn’t seem to be all that common in games; the HUD appears as it is used/explained. For example, during the prologue, the health bar in the upper left-hand corner appeared as the player is directed to pick up a crowbar, which was a solid secondary indicator that a combat scenario was looming. This simple feature keeps from unnecessary UI clutter in the beginning and lets more of the game be taken in from the outset, ultimately resulting in better immersion. 

Directional reticle to show height/depth

From a design perspective, the sense of scale in Harran is one of the most impressive aspects of Dying Light. It is exhilarating to reach the top of the tower, for example, and overlook Harran while hearing and feeling the wind blowing you around. With such scale, the inclusion of a directional reticle that shows height and depth of objects on the map is incredibly useful; it saves a lot of time that would otherwise be spent wandering areas around the current destination. This is EXACTLY what was needed in Far Cry 3: Blood Dragon to avoid turning jeeps into water rafts.

Productive loading screens

This isn’t exactly mind-blowing in terms of novelty, but, at least to me, productive load screens are always a welcomed addition. Dying Light provides a quick recap, both verbally and through text, of your current objective, which is a nice way to get the player re-immersed in the world prior to diving back in and prevents the need to fumble through menus to figure out where you left off last.

Poorly-timed directional pop ups

However, one demerit for usability can be attributed to poorly-timed directional pop ups. During the free-running tutorial portion of the prologue, there is a section where the player must jump from one piece of scaffolding to another. It is a fairly sizable gap, so I took it upon myself to get a running start; however, I’m not sure Techland anticipated players taking this (incredibly logical) approach to clearing the gap. As the main character, Kyle Crane, was midair between the two scaffolding, a pop up informs the player that the jump button must be held throughout the jump. By this point, the jump button has already been released, which results in a very unfortunate plummet to death for Crane (where are those piles of trash when you really need them?). While this issue only occurred this one time, it could have been easily rectified by changing the timing of the pop up.

Conclusion

As I said, Dying Light was easily one of my favorite games of last year. Although the story leaves something to be desired, the gameplay is incredibly engrossing. Especially because, at the beginning, you feel like a pathetic wimp who easily becomes overwhelmed when encountering anything more than one biter; however, the sense of progression is very much clear through the gameplay, as you feel progressively more powerful with each upgrade, which makes revisiting familiar as well as new (e.g., being daring enough to take on Volatiles at night) situations an absolute blast.

While I’m not advocating making games easier, I try to take into account issues someone who has never played a similar game might run in to. Dying Light, similar to loads of other games, has many examples where it leaves you to figure things out, such as basic character movement and combat. While most games are tailored to target specific audiences and typically expect a certain level of prior knowledge, the topic of “hand-holding” in games versus deliberate usability/user experience design is an exciting one I will visit in the future.

I will update this post as I progress through Harran and play through The Following – so stay tuned! In the meantime, check out another nice usability feature in Dying Light. Until then, remember, kids, all you need to survive the apocalypse is some gauze and alcohol (not necessarily in that order).

This usability/user experience review is for the single-player campaign of Ryse: Son of Rome on PC (played with a controller). For what it’s worth, I paid the equivalent of the number of hours it took to complete the campaign ($6, Steam sale FTW).

Perk system

What stood out to me as an excellent usability feature is the perk system assigned to the d-pad. This mechanic allows you to choose between perks, which include gaining health, xp, focus, or damage bonuses from performing executions; each one is assigned to one of the directions on the d-pad. As you progress through the early stages of the story, you unlock each of these perks. Not being an overly-difficult game, I felt no need to experiment with the perks until I had them all at my disposal. Each time you switch between perks, a directional pad highlighting the perk you’ve chosen briefly flashes in the middle of the screen and is simultaneously reiterated with text under the health/focus bar in the top left corner of the screen. This was a welcomed addition because I hardly had the directions for each one memorized once I attained them all and it was very helpful when changing perks on the fly in between executions.

Tutorial blunders

Other aspects of Ryse: Son of Rome were not as functionally appealing. Notably, there are multiple scenarios throughout the game where there is a text-box pop up that pauses gameplay to give you relevant information or directions. This is inherently fine if it is a new situation and you wouldn’t be able to figure out what to do next; however, these text boxes do not offer a button-press prompt to continue. Instead, any button pressed dismisses the text. Countless times, while exploring for collectibles in the environment and simply changing the direction of main character Marius’ movement, I found myself accidentally dismissing the text without having the chance to read it.  This issue could easily be rectified with the addition of a simple “Press A to continue,” which is a system used in almost every game ever!

Where is the advertised variability in the executions? 

A famous quote by Julius Caesar is “which death is preferably to every other? ‘The unexpected.'” It is quite the contrary in Ryse: Son of Rome; the expected becomes quite boring. The game allows you to spend valor or gold (unlocked via single-player and multiplayer, respectively) to level up skills, such as health and focus, and unlock new executions. By the end of the campaign, I had almost every single and double execution unlocked. From the menu, it seemed that unlocking these would allow Marius to perform many different variations of executions, potentially based on different button combinations or enemy encounters, but that did not appear to be the case. While there were many unlockable double executions, I only recall performing around three throughout the entire campaign, so not only is the lack of variation an issue, but also the number of times double executions were actually completed during a combat scenario. There was no clear way to perform them even though there were countless scenarios where Marius was surrounded by enemies. Why was I bothering to spend valor on unlocking all of these in the first place?

Focus mode change blindness

During focus mode, where Marius can slow down time and perform flurries of attacks on completely vulnerable enemies, the screen would turn a shade of yellow. Being that the whole execution system is predicated on quick-time events where you must be able to react to colored cues (i.e., blue yellow, green) on your enemy, I’m assuming you can guess where this is going. This makes it incredibly difficult to determine when your enemy is lit yellow prompting you to continue with your execution resulting in many poorly-timed, or completely missed, executions. A simple fix to this would be changing the color of focus mode since the colors for the execution logically correspond to buttons on the controller. Similar issues with the camera occurred a handful of times, where it would get stuck behind something in the environment, such as a pillar, during an execution resulting in enemies becoming hidden from view, ultimately resulting in pressing the wrong button or poor timing for the ensuing execution.

Immersion killers

The remaining points are more user experience issues rather than usability issues. Ryse: Son of Rome is a pretty game to feast your eyes on and, in such a game, I want to be immersed with visually-stunning sights. As with many games so visually-appealing, it is also a linear game where it is rarely a head-scratcher to figure out where to go next. Throughout, the visual cue/indicator for where to proceed are items such as blue blankets and flags. For me, personally, when a game utilizes a cue that is unnatural to the world it is trying to build, it is quite the immersion killer; it was just plain odd to be climbing up two random blue blankets on a ledge in the forest.

Lastly, during sequences where you’re against enemy archers, an arrowhead in a circle appears in the middle of the screen indicating when you could either evade or deflect incoming arrows. This was fine by design; however, there was one scene, following a battle, where the indicator remained on the screen even though I was all alone wandering down a dark path. Again, not a usability issue, but certainly an immersion killer.

Conclusion

Execution – lather, rinse, repeat. Ryse: Son of Rome is quick visually-appealing romp through Rome with a surprisingly entertaining story and, albeit repetitive, combat (very much a watered-down version of the Batman Arkham series). While it does some things nicely in terms of usability, it is not without its issues.

With Far Cry: Primal coming soon, I figured now was a better time than any to dive into Blood Dragon (we all know the backlog struggle is real). While I knew it was generally well-reviewed, I never got around to playing it between Far Cry 3 and 4. Although I only spent two nights and a handful of hours with it, I think it was time well spent. The humor is excellent and it is a great blend of 80s stereotypes and over-the-top action (See Far Cry series, The). It reminded me of Kung Fury, which, if you haven’t watched yet, I highly recommend. Blood Dragon does a lot of things nicely, but here are some of my thoughts on the not-so-good:

Barrage of tutorial pop-ups

Now I realize this is probably intentional and part of the ridiculous humor that is the core of Blood Dragon, but the barrage of tutorial pop-ups at the end of the tutorial was incredibly annoying. Instead of following their initial pattern of 1) tutorial message, 2) let the player execute the action, 3) rinse and repeat, they throw one after the other, expecting you to memorize multiple controls instantly. While I had no issue with this, having played Far Cry 3, someone who did not might feel overwhelmed with that barrage of pop-ups right before their first combat scenario. Hopefully, most found it funny and didn’t mind the lack of hand-holding, which I’m sure was Ubisoft’s intention.

Directional reticle

There were a handful of times I had to traverse half-way across the map to get to my next objective. While this wasn’t an issue, the directional reticle was atrocious at times. It would give me a distance of how far away I was, however, it gave no indication of whether that was a higher or lower portion of the map. Now I’m not the safest driver in games, but a simple up/down arrow would have prevented me from plummeting my jeep into the water because I was simply following the reticle. I realize this is not a mechanic used in many games but perhaps the addition of something like a compass that displays directionality in relation to heights and depths of the map would be beneficial, primarily in open-world games that require quite a bit of traversal.

Leveling system 

Blood Dragon’s leveling system deviates from Far Cry 3’s skill trees, which allowed you to level up in accordance to your playing style. Now I know this is a “spin-off,” but I feel like the leveling system in Blood dragon was not explained very well. Giving me an on-screen message that I have leveled up but subsequently giving me no information about what this entails was frustrating. I don’t recall any prompts to visit the menu to see how the predetermined leveling system was laid out. Until I was level 10, I thought it was just a completely arbitrary leveling system based on the accumulation of combat points.

Additionally, I know Rex is a cyber-commando with unique preset skills, but this system gives you no freedom to choose your play style. I never felt the need to do anything but blast my way through garrisons, as my character had no special stealth skills, which was one of the most fun and fulfilling aspects of liberating outposts in Far Cry 3.

Conclusion

With all of that being said, I still recommend checking Blood Dragon out if you haven’t already and giving it a few hours of your time. Once I realized the garrisons provided a predator mission and rescue mission, I quickly realized this re-skinned Far Cry 3 would get repetitive very quickly and proceeded to only complete the seven main missions. It is a fun game, and a welcomed deviation from your normal game setting, that throws in lots of funny moments and 80s nostalgia; however, there are some usability issues that could have been addressed to make the experience even better.

Feel free to post your thoughts about the game in the comments below!